A colourful but murky chaosmos pops up.
It is made by the blending of an image
taken from a bubble chamber – used to detect antiparticles –
and the detail of a Rembrandt’s self-portrait.
In these wobbly lands, crossed by the rumble of artificial strings,
textual shards, thought through the idea of antimatter,
its political and aesthetical echoes, begin to inhabit.